Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

nebulous coming to teevee?

ooooh ooooh oooooh

just read this on the news section of Graham Duff's own website:

Graham is currently working on a TV adaptation of his popular Radio 4 sci-fi sit-com ‘Nebulous’.


Which is something to look forward to after what might be the last ever episode of Ideal.

digital photography from the 70s



I thought this was interesting - it's screen grab from an episode of 'The Tomorrow People' and this is the character Steve - and he's playing with a compact cassette - which to explain to you youngsters is something we had before mpg players. Which wouldn't be that interesting - except his cassette isn't an plain old ordinary audio cassette - it's a set of photographs... it isn't explained at all in the episode at all but rather than clutching a old fashioned photographic print he's got there what could only be a digital photograph stored on magnetic tape... because floppy discs hadn't even been invented yet... but compact cassettes had. I'm not sure, but this might have even been before they had home computers where software was loaded on from cassette players. How far ahead of it's time was this program?

I still wish I could talk to my computer (mmm, come to think of it - hasn't Vista got that built in? I haven't bothered to try it - because I know I'd only be setting myself up for a massive disappointment.)

oh no - plot recycling

The latest episode of Sanctuary - warriors was set around an illegal fight club...

like erm... Torchwood : Combat.
Angel : The Ring.
Star Trek Voyager : Tsunkatse
Star Trek OS : The Gamesters of Triskelion

...I'm sure there are many others (if you know of any others - let me know in the comments). It's my least favourite plot ever - because it's so wretchedly limited.

Tomorrow Peeps

evil Gay-liens - Yagon and Cantor

I got a disc set of the last series as a birthday present. Oh my. Cheap and tacky doesn't begin to cover it.



Here's a big link dump:

Wiki entry.

international hero.

Tomorrow People dot com.

Clive Banks.

Meanwhile - let's admire Mike Holoway's packet shall we?



Nice.

I forgot to add...

what with regard to the Hollywood War of the Worlds films, the George Pal one and the more recent Spielberg version (which I haven't got around to seeing yet - thanks to my allergy to Tom Cruise), and the aforementioned TV series -- what I don't understand is why anyone hasn't ever made a true-to-the-original-novel adaptation and set it in period England. We in the UK are usually falling over ourselves to make period pieces. And these days with the growing interest in steam-punk it could be quite an awesome thing.

I wonder if it's because Paramount bought up all the rights to the book or something?

1st Update: I read 5 minutes later that that's exactly what happened. Back in the 1930s H G Wells sold the rights to Paramount in perpetuity. Tsk. To think there might even have been a 'War of the Worlds' film directed by Alfred Hitchcock - or even by Orson Welles.

2nd Update: Oh. Someone called Timothy Hines did make a period version in 2005. Apparently it wasn't much good. *sigh*

Dimly remembered sci-fi. Part 1. War of the Worlds - the TV series

[This is the part I'm writing without the benefit of any prior research – relying on my dodgy memory alone.]

I remember watching a TV series in the late 80s - early 90s that was based on the classic 1950s film 'the War of the Worlds'. (There was this 'cool' logo of a three-fingered reptilian-like hand grasping the Earth.)

Now the film itself was an odd riff on the classic H. G. Wells novel of the same name. I say riff because it changed so much from the original – such as transplanting the original time and place of the original -which was Victorian England and relocated them off to what was then contemporary Hollywood.

The 1980s TV series took the riff even further off the tracks of the original. Although it was supposedly a follow on from the devastating events of the film – everyone in the world had undergone some sort of collective mass-amnesia and no longer remembered anything about any invasion. Which had to have been some feat considering the destroyed cities, the scorched earth and reduced-to-rubble landmarks and sheer masses of dead bodies they must have had to contend with. That's even without the huge numbers of fallen alien spacecraft and actual alien bodies which must have been laying around all over the place. I mean - it's not on the scale of where a postit note had fallen off whatever it had been stuck to and got lost under the sofa... this is denial on a global scale – and that's what the series proposes and yet, unless I missed something, never bothered to explain properly.

Notice how I keep saying aliens rather than Martians? That's because in the show they'd decided they weren't Martians – they were called something else -some nonsense made-up word beginning with M and they now came from deep space. I guess by then current scientific knowledge meant no one believed life on Mars was plausible any more. Which is a bit rich considering the many other implausibilities in the story lines.

So this was a world where although slightly darker and mildly dystopian isn't too dissimilar to ours. Apart from no one remembering that huge alien invasion - no one believes in aliens either. Well, except for a tiny handful of people, and luckily for humanity - a small handful of scientists who are the heroes of the series. Since they were just about the only thing standing between us and a plucky group of eeeeevil aliens who'd somehow managed to survive the nasty cold virus that had killed off their first invasion fleet and were now living hidden deep underground somewhere – dressed up in gas masks and rubber cloaks and tubing which they must have managed to steal from a fetish rubber wear outfitters. They had lots of TV sets and computer monitors too and hundreds of minions at large in the world (well California, or maybe Canada – or wherever it was supposedly set) the minions were aliens who had taken over human bodies and they were generally up to no good. They're seemed to involve lots of genetic experiments making alien-human hybrids the way they do... and um other stuff I can barely remember. Probably making various weapons and terraforming and other over-complicated ways of taking over the world.

The heroes where some head scientist bloke, some girly girl
and a super-intelligent computer expert African-American who was wheelchair bound (if they'd have made him gay too they'd have covered all their token bases in one), and some Native American Indian military man (I think.)

I vaguely remember that the head scientist's mother or grandmother or some close relative was in an old people's home and everyone thought she was extreme schizophrenic nut job and kept having visions of what the naughty aliens were up to... having some sort of telepathic link to them for no readily explained reason. Of course no one believed in any of her visions and dire warnings – except for the head scientist... As is the stereotype in these things her room was covered in her drawings of her various visions... (I should compile a list of where this happens in various films and TV series sometime.)

I'm also remembering the second series was a quite a bit different from the first – they killed off a few of the heroes (notably the black wheelchair guy – which was a mistake what with him being one of the most likeable characters) - and the aliens were now squabbling and having political power struggles among themselves for no very good reason – since they seemed to be coming along quite nicely in their plans of messing up the world.

It was quite gory too for a TV series. There were melted bodies and gouged out eyes and other 'yeeesh' moments.

It even had an cliff hanger ending of sorts – where a super-soldier dancer alien lady with a gigantic big hair perm and Rayban shades made weird shapes and shot light rays out of her hands and was able to dispatch any bad aliens with ease. She teleported in from nowhere and joined forces with the hero team – kicked alien ass and then beamed back home again – but not before sending a quick message to her home world. Muttering in her alien language something along the lines that the only reason she and her race where willing to help us get rid of the Martian aliens was that they wanted to herd us as a food supply for themselves. Yikes! Taking about leaping out of the fire into the frying pan.

I get the impression that it wasn't a particularly loved series - I certainly never saw it repeated anywhere - (and dammit isn't that what the UK sci-fi channel is for?)


Now this is the bit where I actually do some research and provide a few links:

Wikipedia Entry.

Oh look - It's actually out on DVD. Anyone going to buy it me as a present? Wonder if there's a region 2 pal version or if there'll ever be a season 2?

War of the Worlds Episode Reviews.

TV series.

Watchng 'Space 1999'

I always think:

'With all those polyester costumes and all that white plastic furniture they're surrounded by - don't they get constant shocks from static electricity?'


Space 1999

WTF?

For a while now I've had this starter idea for a sci-fi story - where in the 'day-after-tomorrow' future - the country will be so over-crowded there would be state-imposed limits have been put on who can be out and about and who can't, and even how much time they're allowed outside. So every time someone wants to go out - they have to swipe their id card in a reader inside their front door - to be granted permission to go out - once outside their ID card starts a whole automatic process where their every last movement is tracked and recorded by CCTV and card readers etc.

This is based on already existing proposals for cars - so it's only a short hop from there to monitoring people.

Then I read this:

Ministers are planning to implant "machine-readable" microchips under the skin of thousands of offenders as part of an expansion of the electronic tagging scheme that would create more space in British jails.


So now I'll have to update my idea and replace ID cards with chip implants.

Of course if they do get away with this for prisoners - next off they'll probably go on to the next step - the 'Fortress' concept - where the RFID chip will come with an explosive device and if any 'prisoner' strays anywhere they shouldn't. BOOM!

This'll all probably happen too - y'know, to keep us all safe from crime and terrorists and paedophiles and bird flu and global warming etc.

Cloverfield - a preview

Cloverfield - preview

If anyone in the US sees this film (it opens on the 18th) can they email me spoilers and a synopsis immediately afterwards please?

Because - well, I've come to a point where I'm getting over-tired of all teasers and the trailers and the 'never-being-given-a-straight-answer-ness of it all. They've started to overdo it a bit now. There's all sorts of stuff on the web, a soft-drink site -Slusho (and they even had a whole 'product' placement thing going on in the last few episodes of 'Heroes'. All the main characters have their own Myspace profiles... and it would be great (maybe) if it wasn't all so ultimately shallow. Because it's there to do the one simple job after the movie is out -it comes to an abrupt halt. It ends because no one is making money out of it anymore. [Maybe that's where 'fanfic' takes over I guess.]

Mmmmm I'm pondering now - Cloverfield has spent a lot of effort in their viral marketing but it's really only for their home market... trying to generate a 'must-see' vibe. But once the films out on release - the cat's out of the bag. The film won't be out in the UK for months afterward (because we're in 'Europe' they have to translate the movie and put subtitles on... oh wait - they don't have to do any of that for us... they just release films later over here because... because... they can.) are they going to carry on with the viral marketing for here? Or will they just not bother - figuring that if lots of Americans saw it - we'll just flock to see it too? Being the good little sheep that we are.

DAY WATCH

So tonight my bf was talking about how he had started reading these books that he was now all excited about - called Daywatch by Sergey Lukyanenko. And as he went through the basic plot it slowly dawned on me that I had seen the movie of Nightwatch - the first book in the trilogy on TV only the other week. It transpires the follow up movie - the second in a trilogy was only released last year in October. Damn it - I've got lots of catching up to do now. Trying to get the movie for him -sigh. Stuff like that.

DAY WATCH

Sister Sister

Ah-ah! It was driving me crazy – I knew I'd definitely seen the actress who played the sinister Sister Helen in the 'Eye of the Gorgon' story of the 'Sarah Jane adventures' somewhere before. Thanks to teh internets I now know – she's Beth Goddard and she played 'Suze' out of “Gimme Gimme Gimme”. Wowzer.

[Incidentally I notice the IMDB hasn't got this listed on her screen credits yet. Lame-o!]

Sontaran!

Sontarans back for Doctor Who. Which I instantly realised when I was watching the Sarah Jane Adventures and noticed how they got a name check.

Doctor Who to meet Agatha Christie

Oh hello. The Doctor meeting another famous writer for the next season. This after meeting Charles Dickens, then Shakespeare. This makes me wonder if this is going to turn out to be a series - if so he's got to meet Arthur Conan Doyle at some point. Then who else? William Blake maybe? Mary Shelley? Bram Stoker? Jules Verne? I seem to dimly remember he's already met a young H. G. Wells - in a rather rubbishy story (and it seems wrong that they should have written that H G Wells was inspired to write the Time Machine story after meeting the Doctor - when in real life it was the Doctor Who character which was *so* inspired by that novel. Hurmmphf.)

I'm still worrying about Catherine Tate being a full time companion - I re-watched the Christmas special when it was repeated not so long ago and wasn't so impressed by her acting really. When I originally saw the whole Xmas show for the first time I treated it as a piece of fun over-the-top pantomime and just let it all wash over me and enjoyed it immensely as a piece of light hearted fluff. (Especially the spectacle of seeing the TARDIS spinning down the highway in *that* high speed car chase - that was utterly marvelous.) The trouble is - it doesn't bear too much scrutiny - because it quickly starts falling apart. (Like hello? Who wears spats in this day and age? Can you even buy spats?) Tate is so famous now for her various comedy personas I'm fretting whether she's going to be able to show as much depth as the show now demands. Seriously, there's been so much variety shown in the various episodes over the past three seasons which will be massively spoilt if Catherine isn't up to the task. Fingers are crossed. (Please be good. Please be good. Oh please be very, very good. Oh Catherine - please confound my expectations with your unseen talents.)

I'm having to trust the creative staff on this one. sort of. Maybe. Um. Speaking as someone who was never as taken with Martha as the rest of the on-line outspoken Doctor Who fans seemed to be. (Stupid Billie Piper for not wanting to stay for just one more season. Gah. But then - that did mean we were spared the sight of Rose traveling the face of the planet Earth telling everyone she met about the Doctor. Or then - just maybe that would've been totally awesome?)

Who am I kidding though? I can't wait until next year - and this might prove to be a *big one* - in that it might be the last year of Russell T Davis producing the show. If that's true - it's also very likely to see Tennant handing in his key to the TARDIS and a brand new Doctor taking over...

Oh I can't wait. I can't wait.


BBC - Doctor Who - News - Whodunnit?
Oh.
So I'm watching 'I, Robot' for the first time ever* on film 4. I'm really really annoyed with it. How typical of bloody Hollywood to get everything completely wrong.

The whole reason Asimov created his three rules of robotics was to get away from the tired old clichéd whole “evil robots wanting to kill people and/or take over the world” plot. In doing so he created a backdrop which meant he was able to create far more interesting stories.

So what does Hollywood do? Twist those laws to have evil robots wanting to kill people and take over the world.

I didn't like the CGI either and I thought the whole look of the NS-5 robots was pretty ropey too.

Meh.